javasource
6-4-3 = 2
It is about core torque... but that might be an issue, too... Ken sent me a PM on this thread about your post, and I think I can safely say that he and I both agree there may be some issues there, too - specifically as to how it relates to the timing.
The K-drill is static in nature... usually having the ball around 11ish (for rhp). From this position, you can get 80-90% of the speed.
Another area she might be falling apart on, with the full motion pitch that is, would be the process and timing of how and when she gets the ball over the top of the circle - in relation to her stride. That's a really critical aspect in achieving speed.
Take a video of her if you don't have one already. When reviewing that video, see where her stride leg is in relationship to her arm at three o'clock. This is usually the part most timing falls apart. If her leg is at the highest and most extended point, you should see a descent (falling) happen shortly afterwards. By 12 she should be really close to her foot touching down, if not there already. This will start the torque that naturally happens... and the body weight will shift forward onto the stride leg. The ball will... for lack of a better word... "whip" over the top of the circle, if the timing is correct. Providing she's not turning the hand out over the top (which throws the shoulder into a compromised and slower, less powerful position) - you should start to see that speed you witness in the k drill.
If her stride leg is still extending past 3 o'clock then her pre-motion is the cause of her timing. You want the knee of the stride leg out, fully loaded, and in front of the body, before her arm goes passed the 6 o'clock position. That arm lags behind the stride leg.
Do a search for: "BoardMember overlap" on here... there is much better descriptors than what I've given you.
Lastly, if you have a video that you'd share... this would be much, much easier.
Sounds like you're making great strides... no pun intended... glad you're posting! ~Cheers!
Willy... I've added one of my favorite gif's I've made to help you and others see the timing aspects of a good pitch. Pay specific attention to the correlation of outward and then downward movement of her body - as it relates to the position of her arm at that time.
The K-drill is static in nature... usually having the ball around 11ish (for rhp). From this position, you can get 80-90% of the speed.
Another area she might be falling apart on, with the full motion pitch that is, would be the process and timing of how and when she gets the ball over the top of the circle - in relation to her stride. That's a really critical aspect in achieving speed.
Take a video of her if you don't have one already. When reviewing that video, see where her stride leg is in relationship to her arm at three o'clock. This is usually the part most timing falls apart. If her leg is at the highest and most extended point, you should see a descent (falling) happen shortly afterwards. By 12 she should be really close to her foot touching down, if not there already. This will start the torque that naturally happens... and the body weight will shift forward onto the stride leg. The ball will... for lack of a better word... "whip" over the top of the circle, if the timing is correct. Providing she's not turning the hand out over the top (which throws the shoulder into a compromised and slower, less powerful position) - you should start to see that speed you witness in the k drill.
If her stride leg is still extending past 3 o'clock then her pre-motion is the cause of her timing. You want the knee of the stride leg out, fully loaded, and in front of the body, before her arm goes passed the 6 o'clock position. That arm lags behind the stride leg.
Do a search for: "BoardMember overlap" on here... there is much better descriptors than what I've given you.
Lastly, if you have a video that you'd share... this would be much, much easier.
Sounds like you're making great strides... no pun intended... glad you're posting! ~Cheers!
Willy... I've added one of my favorite gif's I've made to help you and others see the timing aspects of a good pitch. Pay specific attention to the correlation of outward and then downward movement of her body - as it relates to the position of her arm at that time.
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