I don't get it?
In my opinion she is out of sequence, and that is leading to some other 'challenges' downstream. JMO.
I don't get it?
https://photos.smugmug.com/RED-FURY-swings-2016/i-VJkwsfb/0/640/lexi slomoderby_02-640.mp4
Im curious about what makes her swing "loopy" her hands drop and loop? is her swing Loopy, on the higher pitches above?
Would throwing the bat, fix the sequence? if not what is your goal with throwing the bat. you did say barrel, so maybe i am taking this statement wrong Five.
This is what I have been after for a long time on here. Thanks for the post and insight.
I have used the cue 'keep the hands above the ball longer' & 'hands above the ball' & 'stay over the ball' with my DD.
In my opinion she is out of sequence, and that is leading to some other 'challenges' downstream. JMO.
You are spot on here. Yes, you ... and many others ... including myself with hitters that I work with ... need to take the top-hand path seriously.
What Braun states here, in reference to his top-hand, is "stay over the ball".
Below I've added a pause. Notice how Braun completes the "short-to" portion of the top-hand path such that it passes through an upright-vee orientation with respect to his throwing arm. You want that. That is "attacking from the top".
Be careful of giving hitters contradictory goals. For many hitters, a goal of "get on plane with the oncoming pitch as early as possible" is a contradictory goal. They can't accomplish that goal and have a top-hand path that attacks from the top. Avoid such nonsense when you are trying to instill a proper top-hand path.
p.s.
Added for further clarity ....
Yes, she is out of sequence.
Coach: Sally, I think we need to improve your ability to square the ball more consistently.
Sally: Sounds like a good goal coach, how do we go about that?
Coach: We need to build a better top-hand path.
Sally: Okay coach, how do we go about that?
Coach: I want your swing to pass through an up-right power-vee like this [… coach performs a demo], and then have the top-hand work down towards the ball, before leveling out through the ball.
Sally: Got it. Let me give that a try.
Coach: You are getting better at this. But lets perform some one-hand top-hand swings, passing through an upright-vee. The result will often be that the ball is hit into the ground, but that is perfectly fine when working with just the top-hand. When we add the bottom-hand the result should become a line-drive. Here we go, I’ll pitch while you work on performing one-hand top-hand swings.
Sally: Okay.
Coach: You are getting it. Now let’s mix in two-hand swings in-between one-hand top-hand swings. I want you to mimic the same top-hand path when you use two hands.
Sally: Okay coach, let’s do it.
Coach: Very nice … you are smoking line-drives with a fairly clean top-hand path.
Sally: Thank you.
Coach: This is huge for you. Having the top-hand path correct will have you squaring the ball frequently.
Sally: Thank you coach. I’m exciting to take this swing into action.
Coach: Great. Let’s move on. Don’t forget what I told you about getting on plane with the incoming path of the ball as early as possible.
Sally: Okay, I’ll concentrate on that.
Coach: Sally, I don’t mean to be critical, but all of a sudden your top-hand path isn’t good. All the work we performed is gone. You didn’t retain any of your top-hand path work.
Sally: But coach, I am getting on plane early. Aren’t you pleased?
Five, could I get clarification on the dialogue between coach and player? Is the top hand path dialogue desirable and getting on plane isn't?