I STATED: "In MLB it is a matter of EARLY shoulder/arm/hand/bat action that creates resistance to turning."
MTS asked: "Please answer Yes or No to the following question to answer the above statement:
"Are you talking about scap action that allows the hips to rotate first? "
I then went on to explain what I see as the sequence of arm and scap action, how the upper and lower body synchs and how this is similar and where it is different from overhand throw arm and scap action sequence.
In this thread you have recently stated:
MTS: "But, to be clear the hands are being moved by the muscles in the back (scapula attachments) via the arms. You can get some sub optimal movement by focusing on the hands. My checkpoint is - are the angles formed at the elbows changing much during the load phase and again during the initial unload."
The elbow landmark is a good one for two armed swings, but does not apply to the one arm drills that still need to reproduce the sequence of the full swing.
With respect to location of muscles,I would say that torso/scap/arm and forearm muscles are all important DEPENDING ON the necessary sequence of JOINT ACTIONS, but it does not help too much to describe or work on things at the muscle action level. I find it very useful to work at the bone/skeleton/joint/kinesiological level in analyzing and teaching and learning the MLB pattern. Hodge was the first to emphasize this approach in describing the high level overhand throw as I partially described in a link in the other thread:
You can see the similar (to Hodge overhand throw description) arm/scap MLB pattern hitting action sequences I described before in this Wright video where among other things he is working on arm action to keep the shoulders from flying open.
Likewise you can see the back scap STAY pinched in Wright's one arm back arm drill as it does in the MLB hitting pattern in general, which is different from the action in the unloading part of the overhand throw which involves unloading the scaps symmetrically to finish forming the arm loop for whipping the throwing hand/ball.
It is easier to see Wright's front and back arm sequence frame by frame and back and forth in a quicktime version of the same video:
http://imagine.hittingillustrated.com/david_wright_hands.mov
While scap action is a PART of what happens as the hips continue to lead the hands in the MLB pattern, "fastpitch trainer" 's point is very important:
"The main point is that we want the shoulders to be the effect of what the hands do, and not the cause of what the hands do. If the shoulders turn in because the hands moved back, then great. If the hands moved because of a shoulder turn, then not so great. "
So I would encourage you to look at the back and front arm/scap sequence in detail. This is how I see it:
Back arm/scap (similar to back arm tip and rip drill mentioned in other thread):internal rotation and aBduction and some extension of back arm, THEN pinching and elevation of back scap, THEN external rotation of lead arm (synched with internal rotation of lead arm - lead arm down at side in drill, and synched to external rotation of front leg), THEN scaps tilt (see description in lead arm section) with supination of back forearm, back arm stays extended more fore longer radius, less for shorter radius and arm drops some into "slot" (Slaught/Candrea "connection" position), angle in back elbow does not widen yet/until upper torso uncoils turning shoulders at max speed/momentum, THEN angle widens at back elbow as forearm lowers, back wrist stays dorsiflexed until contact unless swing radius is long in which case the angle continues to widen at the back elbow as the wrist extends.Then lead forearm pronates. Contact is before pronation. ("palm up extension"). In general you would focus on extending wrist right at/through contact. Then there is extension/"V"(formed by combo of both arms). Only then does back scap unpinch.
Lead arm/scap: slight internal rotation and abduction THEN scaps TILT, front scap up,back scap down staying pinched as hips shift base of spine forward (scaps slaved to hand/arm action, not hip/torso action), THEN front scap starts to be turned as hip turn works its way up,hand stays in, lead forearm supinates, THEN lead arm extends slightly in front shoulder socket while staying internally rotated which gets hands away from shoulder a little, THEN lead wrist starts to unhinge, THEN
-for longer swing radius: angle at front elbow starts to widen and lead forearm starts to supinate, THEN lead upper arm EXternally rotates. OR
-for shorter swing radius: lead scap pinches which requires back scap to still be pinched as platform to pinch against across the back/upper spine.THEN lead arm externally rotates.
Contact may be anywhere after lead wrist unhinges and before lead upper arm externally rotates. Then comes full extension/"V".
In general you try to have lead wrist unhinged and bat lined up with lead forearm as ball leaves bat.
MTS asked: "Please answer Yes or No to the following question to answer the above statement:
"Are you talking about scap action that allows the hips to rotate first? "
I then went on to explain what I see as the sequence of arm and scap action, how the upper and lower body synchs and how this is similar and where it is different from overhand throw arm and scap action sequence.
In this thread you have recently stated:
MTS: "But, to be clear the hands are being moved by the muscles in the back (scapula attachments) via the arms. You can get some sub optimal movement by focusing on the hands. My checkpoint is - are the angles formed at the elbows changing much during the load phase and again during the initial unload."
The elbow landmark is a good one for two armed swings, but does not apply to the one arm drills that still need to reproduce the sequence of the full swing.
With respect to location of muscles,I would say that torso/scap/arm and forearm muscles are all important DEPENDING ON the necessary sequence of JOINT ACTIONS, but it does not help too much to describe or work on things at the muscle action level. I find it very useful to work at the bone/skeleton/joint/kinesiological level in analyzing and teaching and learning the MLB pattern. Hodge was the first to emphasize this approach in describing the high level overhand throw as I partially described in a link in the other thread:
You can see the similar (to Hodge overhand throw description) arm/scap MLB pattern hitting action sequences I described before in this Wright video where among other things he is working on arm action to keep the shoulders from flying open.
Likewise you can see the back scap STAY pinched in Wright's one arm back arm drill as it does in the MLB hitting pattern in general, which is different from the action in the unloading part of the overhand throw which involves unloading the scaps symmetrically to finish forming the arm loop for whipping the throwing hand/ball.
It is easier to see Wright's front and back arm sequence frame by frame and back and forth in a quicktime version of the same video:
http://imagine.hittingillustrated.com/david_wright_hands.mov
While scap action is a PART of what happens as the hips continue to lead the hands in the MLB pattern, "fastpitch trainer" 's point is very important:
"The main point is that we want the shoulders to be the effect of what the hands do, and not the cause of what the hands do. If the shoulders turn in because the hands moved back, then great. If the hands moved because of a shoulder turn, then not so great. "
So I would encourage you to look at the back and front arm/scap sequence in detail. This is how I see it:
Back arm/scap (similar to back arm tip and rip drill mentioned in other thread):internal rotation and aBduction and some extension of back arm, THEN pinching and elevation of back scap, THEN external rotation of lead arm (synched with internal rotation of lead arm - lead arm down at side in drill, and synched to external rotation of front leg), THEN scaps tilt (see description in lead arm section) with supination of back forearm, back arm stays extended more fore longer radius, less for shorter radius and arm drops some into "slot" (Slaught/Candrea "connection" position), angle in back elbow does not widen yet/until upper torso uncoils turning shoulders at max speed/momentum, THEN angle widens at back elbow as forearm lowers, back wrist stays dorsiflexed until contact unless swing radius is long in which case the angle continues to widen at the back elbow as the wrist extends.Then lead forearm pronates. Contact is before pronation. ("palm up extension"). In general you would focus on extending wrist right at/through contact. Then there is extension/"V"(formed by combo of both arms). Only then does back scap unpinch.
Lead arm/scap: slight internal rotation and abduction THEN scaps TILT, front scap up,back scap down staying pinched as hips shift base of spine forward (scaps slaved to hand/arm action, not hip/torso action), THEN front scap starts to be turned as hip turn works its way up,hand stays in, lead forearm supinates, THEN lead arm extends slightly in front shoulder socket while staying internally rotated which gets hands away from shoulder a little, THEN lead wrist starts to unhinge, THEN
-for longer swing radius: angle at front elbow starts to widen and lead forearm starts to supinate, THEN lead upper arm EXternally rotates. OR
-for shorter swing radius: lead scap pinches which requires back scap to still be pinched as platform to pinch against across the back/upper spine.THEN lead arm externally rotates.
Contact may be anywhere after lead wrist unhinges and before lead upper arm externally rotates. Then comes full extension/"V".
In general you try to have lead wrist unhinged and bat lined up with lead forearm as ball leaves bat.
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