So, I think the real SECRET,
is for the upper arm/elbow to make contact *before* the hand/ball reaches the inline axis of that upper arm.
Upper arm reaches the "point of stability" and THEN the lower arm makes bush contact as it internally rotates into release.
True "whip", "ball lag" etc.
In this vid of your DD, her hand/ball is "ahead" of her upper arm,
before the upper arm has made contact.
Don't get me wrong - she is looking really good!
But I suppose that I'm saying don't fixate so intently on getting "brush" if other aspects of the mechanics aren't quite optimal.
None of these individual concepts are "silver bullets", but when performed in concert - watch out!
is for the upper arm/elbow to make contact *before* the hand/ball reaches the inline axis of that upper arm.
Upper arm reaches the "point of stability" and THEN the lower arm makes bush contact as it internally rotates into release.
True "whip", "ball lag" etc.
In this vid of your DD, her hand/ball is "ahead" of her upper arm,
before the upper arm has made contact.
Don't get me wrong - she is looking really good!
But I suppose that I'm saying don't fixate so intently on getting "brush" if other aspects of the mechanics aren't quite optimal.
None of these individual concepts are "silver bullets", but when performed in concert - watch out!