Thanks Ken - very interesting sequences you've shown there. What I was trying to refer to was referred to by Rick Pauly in several different threads (I think, hard to keep all this stuff straight) such as this one discussing the Four Points of Resistance; https://www.discussfastpitch.com/softball-pitching/16837-four-points-resistance-pitching.html (starts discussing it more specifically as "Hip Stoppage" in post #4. Just trying to wrap my head around it...
---the laces---
While laces pointed toward home may well be what we want to GENERALLY see, I've found that you have to be careful with that with some pitchers. Wirey tall pitchers often over do that, along with getting the drag-leg knee ahead of the hip. I've often had to back them off of the laces to home, tending more toward laces somewhat out to almost toward home. There is some flexibility in some of these cues, and there should be.
---the laces---
While laces pointed toward home may well be what we want to GENERALLY see, I've found that you have to be careful with that with some pitchers. Wirey tall pitchers often over do that, along with getting the drag-leg knee ahead of the hip. I've often had to back them off of the laces to home, tending more toward laces somewhat out to almost toward home. There is some flexibility in some of these cues, and there should be.
There is more loading of the arm palm up, than at 9. Try it and see if you can feel the difference.Reading through has me asking what is the difference between hand under the ball (palm up) as long as possible versus the hand facing third (palm out) at 9 o’clock.
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